Morning Glory Antiques & Jewelry
at the

ANTIQUE CONNECTION MALL
and on the internet since 1996
12815 Central NE, Albuquerque, New Mexico, 87123  USA
~
Jane Haley Clarke, owner
Copyright 1996-2009 All rights Reserv
ed ©

 


Welcome to the beauty, history and art that is vintage jewelry. We buy and sell vintage costume, designer, bakelite and Victorian jewelry, purses and accessories.
To be alerted when new items are added, please e-mail jane@morninggloryantiques.com and we will be glad to add you to the contact list.
Please browse, enjoy yourself, and let us know if we can help you.
All jewelry is in excellent vintage condition unless specified otherwise.  All items are subject to prior sale.
We work constantly to offer extensive jewelry research, pictures and information in our references, " Jewel Chat " and " Morning Glory Collects ".
We do not, however, offer valuation or appraisal services or answer individual questions regarding jewelry or antiques. Appraisers can be found on the LINKS page.

TO PURCHASE: You are on a reference page of Morning Glory Antiques & Jewelry. These items were photographed from private collections, and are for reference only.
Jewelry that is available TO BUY can be accessed by clicking HERE
.

I am interested in buying pieces like this, so please e-mail me if you'd like to sell! 
 

Morning Glory Collects... 
things we love to buy, wear and share
MIRIAM HASKELL

 

In the early days of Haskell jewelry, when Frank Hess was the head designer, Haskell put no identifying marks on their jewelry. As a mater of fact it was not marked at all until about 1947. Today the early unsigned pieces are recognized from vintage art work and advertisements, and by their wonderful detail, hand work and design. Read more about HASKELL EARLY UNSIGNED JEWELRY, see our article in JEWEL CHAT and the feature on HASKELL ART WORK & ADVERTISING.

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 HASKELL Hess chartreuse, burnt sienna and tan flattened glass beads and gold tone leaves expansion bracelet, 3-1/4" front, and matching 4" clip. These gilt leaves were from the "nasturtium" line.   #H26051

  HASKELL Larry Austin original watercolor advertising illustration for Haskell flattened bead and leaves bracelet and clip shown at left, numbered "815" on back in pencil, 8" by 10".  View   #H26053

   HASKELL early unsigned Frank Hess design from the 1940's. This 4" dress clip is made up of chartreuse, coral and tan flattened glass beads and gold tone nasturtium leaves.   View     #H23939 

 

HASKELL Hess tan, chartreuse glass beads and gold tone leaves fur clip, 3-1/2". A Frank Hess design for Miriam Haskell, it is unsigned as was typical of this era circa 1940.   View   View   #H34514     HASKELL Hess tan, coral and chartreuse flattened glass beads dress clip with gold tone nasturtium leaves, 2-3/4". A Frank Hess design for Miriam Haskell, it is unsigned as was typical of this era circa 1940.   View   #H34550  This HASKELL is a brooch, not a clip, showing that some pieces were made both ways. These gilt leaves were from the "nasturtium" line, circa 1940.  View   #H21112 

 

 
HASKELL Hess dress clips with chartreuse and melon flattened glass beads and water lily leaves, set of 2, 2-3/4".   View   #H34807 HASKELL Hess tan, coral and chartreuse flattened glass beads dress clips, brooch and bracelet with gold tone nasturtium leaves  #H26051  

 

 
 HASKELL fur clip combining glass beads, gold tone findings and painted leaves, circa 1935, 3".  (Seen in Christie Romero's "Warman's Jewelry, 3rd Ed, page 195 and in Gordon & Pamfiloff's "Miriam Haskell Jewelry" page 28.)  The painted leaves were used in the Fall of 1935 according to Larry Vrba.   View    #H19523 HASKELL Hess flattened orange and yellow glass beads and painted leaves clip clips. HASKELL Frank Hess early unsigned multi-colored glass opaque beads and painted metal leaves bracelet, circa 1935, 6-1/2". The painted leaves were used in the Fall of 1935.  View   View   View   #H24186

 

 

 

 

HASKELL Hess flattened orange and yellow glass beads and painted leaves clip, 3-1/4". A Frank Hess for Miriam Haskell, it is unsigned as was typical for this era, circa 1935.  The painted leaves were used in the Fall of 1935 according to Larry Vrba. Seen in Christie Romero's "Warman's Jewelry, 3rd Ed, page 195 and in Gordon & Pamfiloff's "Miriam Haskell Jewelry" page 28.   View   #H34882

HASKELL Hess flattened orange and yellow glass beads and painted leaves clip clips.

HASKELL Hess early unsigned bar brooch of flattened glass yellow and orange beads and painted metal leaves, circa 1935, 4".   View   HASKELL   #H33338

 

   HASKELL early unsigned Frank Hess chartreuse and green glass beads and wooden leaves brooch with gold tone lily pads, circa 1935-40, 4".  View   #H26052      HASKELL Larry Austin original watercolor advertising illustration for Haskell flattened bead and metal leaves bracelet and clip with foil "Miriam Haskell" sticker, 8" by 10", framed so back is not visible.  #H24365 HASKELL Hess early unsigned coil bracelet of brown wooden flowers and beads and aqua painted branch coral with gold tone metal petals and leaves, about 1-1/2" wide at front, circa 1940. See similar bracelet on page 151 of Gordon & Pamfiloff's "Miriam Haskell Jewelry" .   View   View   View   #H29519 

 

 

HASKELL Hess sea shell necklace and bracelet, necklace 15-1/2" by 1-1/8" bracelet 7" by 1". A Frank Hess design for Miriam Haskell, it is unsigned as was typical of this era circa 1930s. Another sea shell style can be seen in "Miriam Haskell Jewelry" by Gordon & Pamfiloff page 151.   View   View   #H34489

HASKELL Hess sea shells, wood flower and gold tone leaves and flower dress clip, 4".  A Frank Hess design for Miriam Haskell, it is unsigned as was typical of this era circa 1930s.    View   View   #H34512

HASKELL Hess clear rhinestone balls and gold tone leaves coil bracelet and dress clip, coil 7-1/4" total length by 2" wide at the front cross-over, clip 3" long. A Frank Hess design for Miriam Haskell, it is unsigned as was typical of this era circa 1930s. See Gordon & Pamfiloff's "Miriam Haskell Jewelry" page 153.   View  View   View   View   View  #H334554

 

 

HASKELL Hess cord bracelet with sea shells, glass flowers in pink, green and yellow with a green glass button closure all on a woven silk cord in soft faded green, 6-1/2" by 1-1/4". A Frank Hess design for Miriam Haskell, it is unsigned as was typical of this era circa 1930s. These same flowers are used in the yellow clip on page 150 of Gordon & Pamfiloff's "Miriam Haskell Jewelry" and other Hess pieces. It is interesting to see how many ways Hess used an elements like the flowers and sea shells in his jewelry.   View   View   #H34488

HASKELL early unsigned Frank Hess design from the 1940's. This dress clip of green glass beads is 3" long.   View     #H19699 

HASKELL artificial pearl coil bracelet and earrings, earrings 1-1/4". The pearls in the earrings are a soft gray, darker than than the pearly color on the bracelet by a few shades, as can be seen in the pictures, but the design is the same. A Frank Hess design for Miriam Haskell, it is unsigned as was typical of this era, circa 1940.  View   View   #H34486

 

   

HASKELL Haskell Hess coil bracelet with gold tone filigree and flowers and artificial pearls, 8". Designed by Frank Hess for Miriam Haskell it is unsigned as was typical circa 1940.    View   #H34720 HASKELL Hess sea shell dress clip with genuine shiny iridescent shells creatively designed, circa 1940, 3-5/8".   View   #H34674

 HASKELL Hess lily pad and dangling florets, an early unsigned gold tone 4" dress clip. From the findings, construction and the detailed design, I would attribute this to Haskell circa 1940. It is absolutely lovely, and so unusual.    Detail   Back    Detail    #H20118  

 

   

HASKELL Hess flowers and leaves brooch with maroon, green and yellow beads and artificial pearl all set in textured gold tone, circa 1940, 3" wide, pin back professionally repaired as can be seen in the picture.   View   #H34708 HASKELL Hess yellow and amber swirl glass flattened beads and dangles fur clip with silver tone leaves and flowers, 4". A Frank Hess for Miriam Haskell, it is unsigned as was typical for this era, circa 1940.  The bracelet to this set can be seen in Gordon & Pamfiloff's "Miriam Haskell Jewelry" on page 134.   View     #H34673 

HASKELL Hess blue wood beads and glass leaves and seed beads dress clip, 2-1/3".    View   #H34840    

 

   
        HASKELL Hess early unsigned dress clip with wood florets and green glass beads, 3". See Gordon & Pamfiloff's "Miriam Haskell Jewelry" page 145. On this clip, each wooden bead is hand sewn to the pierced backing, and each strand of glass seed beads is hand strung.  View   #H26700   HASKELL early Hess wooden beads and glass seed beads coil bracelet, 6".  View showing the woven coil cover construction of the bracelet. See a bracelet in this series in Carole Tanenbaum's "Fabulous Fakes" on page 100. This kind of work was extremely labor intensive, and could only have been done back in a time when labor was much less expensive.   View   View   #H22088 HASKELL Hess early unsigned golden and black wooden and glass beads dress clips, set of 2, circa 1940, 4" each.   View   #H32356

 

HASKELL lariat of natural, red, blue and green wood beads lariat with bright red and yellow glass buttons which each have a flower molded on the top, fur clip ends, total length 26" each clip 3". A Frank Hess for Miriam Haskell, it is unsigned as was typical for this era, circa 1940. This was seen in "Miriam Haskell Jewelry" by Gordon & Pamfiloff page 13.   View   View   #H34416

HASKELL natural, peach and rose wood beads fur clip with sunny yellow glass buttons which each have a flower impressed on the top, 2-3/4" by 2-1/2". A Frank Hess for Miriam Haskell, it is unsigned as was typical for this era, circa 1940.   View    #H34417

HASKELL Hess early unsigned wooden beads and green glass seed beads dress clip, circa 1940, 4".   View   #H32357

 

HASKELL gold tone leaves and brown wood beads and flowers lariat necklace, 27" total length with 2-1/2" by 1-7/8" clips. A Frank Hess for Miriam Haskell, it is unsigned as was typical for this era, circa 1940.   View   View   #H34134 HASKELL Hess brooch and bracelet of wood beads, wood flowers and enameled leaves and butterflies, circa 1930s, said to have come for Miriam Haskell's personal collection, 6-1/2" and adjustable, brooch 3". Note the smooth metal back on the pin.  The bracelet motif is attached to pierced metal (which would have been covered with a plate also). One and only bracelet I have ever seen with this construction; typically, the motif is attached to metal spacer bars.     View   View   View   View   #H34298  HASKELL Hess early unsigned gold tone metallic nuts and carved wooden leaves clip with flowers and tiny seed beads accents, circa 1940 4".  View   #H32355

 

 HASKELL Hess carved wood flower and aqua painted coral bracelet with gold tone leaves, 3-1/3" by 2-1/4" front element and elastic so adjustable. A Frank Hess design for Miriam Haskell, it is unsigned as was typical of this era circa 1930s.   View   #H34556

 HASKELL Hess green and white genuine seashell necklace on cream colored cord, 14" by 1-1/4". A Frank Hess design for Miriam Haskell, it is unsigned as was typical of this era circa 1930s.     View   View   #H34555

HASKELL Hess carved wood flower and aqua coral bracelet, gold tone leaves, 2-1/4" by 2" front element. A Frank Hess design for Miriam Haskell, it is unsigned as was typical of this era circa 1930s.    View   #H34557

 

 

   HASKELL wood faces necklace, bracelet and brooch, necklace     bracelet 7" by about 1-1/2", clip 3-1/2". Each face is different, as well as each hat, and the tiny flowers are great accents, very charming. The red button bead closure for the necklace is worn, as seen in the pictures. A Frank Hess for Miriam Haskell, it is unsigned as was typical for this era, circa 1940.    View   View   View   View    View   View   View   #H34549

 HASKELL Larry Austin original watercolor advertising illustration for Haskell glass flowers necklace, bracelet and clip, with foil "Miriam Haskell" sticker, numbered #667.   #H24367 

   HASKELL wood red and natural beads mushrooms brooch, 3-7/8". This is a nice example of the creative way Frank Hess used differently shaped beads and elements. A Frank Hess for Miriam Haskell, it is unsigned as was typical for this era, circa 1940.   View   #W26091

 

       HASKELL early unsigned multi-colored wooden beads pin circa 1940, 2-1/3". A Frank Hess for Miriam Haskell, it is unsigned as was typical for this era, circa 1940.  View  #W23389

HASKELL Hess early unsigned natural and colored wooden beads, stars and bells bracelet, circa 1940, 6-1/2" relaxed size by about 2-1/3" at front and 1-1/4" at the back. A Frank Hess for Miriam Haskell, it is unsigned as was typical for this era, circa 1940.    #H31460

HASKELL Hess natural and colored wood beads pin, circa 1940, 2-1/4".   View   #H31461

 

   HASKELL Hess natural and dyed wooden beads and florets pin in red, green and blue, 3". Lush nuts topped by woven multi-colored bead caps and florets on the pin top, great combination. A Frank Hess for Miriam Haskell, it is unsigned as was typical for this era, circa 1940.    View   #H26587 HASKELL Hess early unsigned wooden red, charcoal and natural floret shaped and red round beads and glass seed beads sewn onto a a red and green fabric-covered coil bracelet with gold tone filigree tips, 9" coil with overlapping 2" front, 1/2" at back. A Frank Hess for Miriam Haskell, it is unsigned as was typical for this era, circa 1940.    View   View   #H31221  HASKELL red and natural wooden bead acorns pin, circa 1940, 3". Lush red nuts topped by woven natural bead caps and florets on the pin top, great combination. A Frank Hess for Miriam Haskell, it is unsigned as was typical for this era, circa 1940.   View   #H28162  

 

HASKELL wooden bead bells and stars pin in blue, red, green and natural colors, 3". Clips and pins in this series came in various colors and designs and this one is particularly lush and long. A Frank Hess for Miriam Haskell, it is unsigned as was typical for this era, circa 1940. Seen in Christie Romero's "Warman's Jewelry, 3rd Ed, page 195.  View   #H19700    

 HASKELL Hess early unsigned pinecone pin of wooden florets and beads with glass leaves, circa 1935, 2-7/8".   View   View   View   #H31323 

 HASKELL early unsigned wooden beads pinecones pin, 3-1/2". Each pinecone is formed of graduated flat flower-shaped wood disks, capped by a black glass seed bead. A Frank Hess for Miriam Haskell, it is unsigned as was typical for this era, circa 1940. Seen in Christie Romero's "Warman's Jewelry, 3rd Ed, page 195.  View  View    #H19832

 

HASKELL natural, chartreuse and peach wooden and white glass seed beads wreath pin, circa 1945, 2-1/3". See Gordon & Pamfiloff's "Miriam Haskell Jewelry" page 144.  View   View   #H30080   HASKELL Hess wood beads dress clip with green glass seed bead finials and green wooden leaves, circa 1930, wonderful colors, 2-1/8".  View   #w21534  
 
HASKELL Hess wood red and brown beads with green glass seed bead tips and green wood and seed bead bow top dress clip, circa 1930s, 2".   View   #w27310

 

HASKELL Hess black cord and multi-colored balls pin, 2-1/2". The genius is on the detail as with so many of Frank Hess' pieces. The seed bead capped rows of little mini glass buttons match the dangling beads. A Frank Hess design for Miriam Haskell, it is unsigned as was typical of this era circa 1930s.    View   #H34893   HASKELL Hess wooden bells clip in green, red, blue and yellow with glass bead accents all on a fabric twist dress clip, circa 1940, 3-1/2".   View   #H33873   WOOD red bells with white plastic flower clappers brooch all strung on cord with a perforated back, circa 1940. This is probably an unsigned Hess Haskell, but I cannot find ads to attribute it positively.    View   #w33691

 

   

HASKELL acorn pin with brown glass beads and seed beads and green cord, 2-1/2".   View   #H33737

  Haskell advertising art work from the 1940's.   View    View    View    View    View   

HASKELL Frank Hess early unsigned flower dangles pin with multi-colored glass flowers and blue cord, circa 1940, 3-1/4".   View   #H33739     

 

 HASKELL early unsigned orange-red and black pin with glass beads center, circa 1940, 3-1/3". See Gordon & Pamfiloff's "Miriam Haskell Jewelry" page 147.  View   #H27221    HASKELL early unsigned expansion bracelet and pair of matching dress clips. See Gordon & Pamfiloff's "Miriam Haskell Jewelry" page 147.  #H22609    HASKELL early unsigned Hess red and black lampshade brooch, circa 1940, 3-5/8".   View   #H29105

 

   

   HASKELL Hess early unsigned cobalt blue glass bell-shaped and round beads clip with gold tone metal bead accents, circa 1940, 2-3/4".  View   #H31229

  HASKELL early unsigned blue glass beads dress clip with clear rhinestone leaves, 3-1/2".   View   #H26799    

 HASKELL Hess early unsigned royal blue glass beads wired onto brass setting pin, 3" by 2.5"..   View   View   #H32138

 

 HASKELL early unsigned cobalt blue glass petals and clear faceted beads 2-1/2" clip and expansion bracelet with a 2-1/4" front.   View   #H23352 HASKELL Hess early unsigned sets in blue, red and clear glass petals and beads.   #H32955 and #H23352  HASKELL Hess early unsigned red and clear glass bracelet and clip, bracelet elastic and adjustable with a 2-1/3" front flower, brooch 1-1/2" by 3". Circa 1940.   View   View   View   View   #H32955

 

HASKELL Hess clip of green leaves, purple and lavender tube beads and clear rhinestones, from the Hotel Roney Haskell boutique in Miami, Florida, circa 1940, 3-1/3".   View   #H34297 HASKELL Hess lariat necklace of  green glass leaves, brown and bugle beads and green beads, from the Hotel Roney Haskell boutique in Miami, Florida, length 25" useable with 3" clips. A Frank Hess design for Miriam Haskell, it is unsigned as was typical of this era circa 1940.     View   #H34296  HASKELL Hess green glass leaves and bugle bead flowers necklace, unsigned circa 1940, 15-1/2" with front drop of 3-1/2".   View   View   #H34367

 

      

  HASKELL early unsigned 5" green transparent beaded dress clip. View View View #H23413

 HASKELL Hess unsigned red, blue and green glass transparent beads 3" brooch circa 1940.  View   #H24587 


 HASKELL early unsigned 4-1/2"  dress clip with green glass beads and rhinestone accents. View    #H20064

 

     HASKELL Hess early unsigned green glass melon-shaped beads and clear rhinestone roundelles , 6-1/2" by 1-1/3".   View   #H31787    HASKELL fabulous green glass beads collar with clear rhinestone and silver tone roundelles set in a symmetrical design that lays flatteringly on the neck, a fabulous collar with the "Miriam Haskell" tag soldered on the back of the clasp..  View   View   View   #H29751       HASKELL early unsigned transparent green glass beads coil bracelet, 2-1/3" front, 1" wide. See a bracelet in this series in Carole Tanenbaum's "Fabulous Fakes" on page 100.  View   #H26800
  HASKELL Hess early unsigned green glass bead dress clip with clear rhinestone accents, 2-1/4".   View   #H26743
Gordon & Pamfiloff's "Miriam Haskell Jewelry" page 66.

 

 
HASKELL early unsigned Frank Hess green and white glass beads lariat necklace and coil bracelet with artificial pearl accents and gold tone leaves, circa 1940, necklace 26" with each clip 2", coil adjustable 2" front 5/8" band.   View   View   View   View   View   #H33642 HASKELL gold tone leaves and burgundy glass beads lariat necklace, 27' total length with 2" by 3" clips.   View   View   #H34135 HASKELL Hess early unsigned reddish-coral glass beads four-strand lariat necklace with gold tone flower petal clips decorated with coral and translucent white beads and artificial pearls at each end, circa 1940, total length 25-1/2", each clip 2".  See a similar bracelet on page 65 of "Miriam Haskell Jewelry" by Gordon & Pamfiloff.   View  View   View   View   View   HASKELL SET   #H31782
HASKELL early unsigned Hess deep orange and artificial pearls dress clip, 2-1/2".    View   #H31844

 

HASKELL bakelite acorn pin of marbled dark green and black acorns with black enameled filigree tops and gold tone metal beads top bar, all suspended from a pierced metal back, 4-1/4". A Frank Hess design for Miriam Haskell, it is unsigned as was typical of this era circa 1940.    View    #H34414

HASKELL Hess red glass leaves and beads bar brooch, a long and lovely 4". A Frank Hess for Miriam Haskell, it is unsigned as it typical for this era, circa1940.   View    #H34385  

HASKELL bakelite acorn pin with red acorns, black enameled filigree tops and gold tone metal beads top bar, all suspended from a pierced metal back, 3-1/2". A Frank Hess design for Miriam Haskell, it is unsigned as was typical of this era circa 1940.   View    #H34502   HASKELL Both

 

 HASKELL Frank Hess early unsigned reddish coral colored opaque round and flattened glass beads and metal floral findings, circa 1940. The bracelet is strung on elastic, so adjustable, and the dress clip is 4". This was one of my first Hess sets and it has been in my personal collection for years. It's one of my all-time favorites. In the early days of Miriam Haskell jewelry, when Frank Hess was the head designer, Haskell put no identifying marks on their jewelry. Haskell was not marked at all until about 1947. Today the early unsigned pieces are recognized from vintage advertisements and by their wonderful detail, hand work and design.   View    #H19941

 

   HASKELL Hess early unsigned coil bracelet and matching earrings with lovely red glass petals and flowers and a beaded back, 8" by 1-5/8" coil bracelet and 1-1/4" screw back earrings.   View   View   View   View   View   #H29922

 

 

 HASKELL Frank Hess early unsigned red woven fabric and red glass bead bracelet and two sets of dress clips, circa 1935. The fabric portion has faded over the years to this lovely soft rose color. The bracelet uses the bead balls as fasteners which slip through the cord loops just like buttons. The bracelet is 6" around the inside when fastened, 3-1/2" across the front and 1-1/4" wide band; dangling clips 2-3/4"; small clips 1-1/4". 
 A Larry Austin ad art work showing a similar line can be seen in "Miriam Haskell Jewelry" by Gordon & Pamfiloff, page 103.  To read more about Haskell, see these features: Haskell Hess Unsigned Jewelry, Miriam Haskell Jewelry, our article in Jewel Chat and the feature on Haskell Art Work & Ads.  
View   #H19820  

 

   
  HASKELL Hess coil bracelet with red plastic flowers and glass leaves, 7-1/2" by 2". A Frank Hess for Miriam Haskell, it is unsigned as was typical for this era, circa 1940.   View   View   #H35238  

 

 

  HASKELL Hess stick coral and gold tone butterfly dress clip, circa 1940, 3".   View   #H34194  

HASKELL Hess early unsigned orange glass beads wreath shaped dress clip with gold tone florets center with clear rhinestones and orange seed beads, circa 1940, 2".  View   #H28115 

 HASKELL early unsigned Hess orange glass bead and gold tone leaves and flowers pin,  3".  View   #H28486   

 

HASKELL Hess stick coral round dress clip with antiqued gold tone filigree center, circa 1940,  2-1/4". Similar pieces to this can be seen in Cera's "Jewels of Miriam Haskell" on page 74.    View   #H34221 HASKELL Hess dress clip of stick coral, artificial seed pearls, green cabochon and beads and gilt filigree balls, circa 1940,  4-1/3".  View   View   #H34220 HASKELL Hess stick coral and gold tone leaves coil bracelet circa 1940, 1-3/8"wide at the front and adjustable in size.  View   View   #H34224

 

   
HASKELL Hess stick coral and gold tone leaves coil bracelet, circa 1940 and unsigned, 8".    View   #H34330 HASKELL coral colored glass beads and gold tone leaves parure, necklace, coil bracelet and dress clip, five strand bottom and two strand top necklace (missing one strand on top portion). The necklace is 18" long, the bracelet is 6-1/2" and adjustable with 3" elements and the dress clip is 2-1/2".   View   View   View   View   View   View   View    #H34552 HASKELL Hess early unsigned dress clip with gilt and green metal petals, green enameled leaves and flattened coral-colored glass beads, circa 1940, 2-1/2".   View   #H34293

 

   
  HASKELL Hess stick coral coil bracelet, adjustable total length 6-3/4" and about 3/4" wide. A Frank Hess design for Miriam Haskell, it is unsigned as was typical of this era circa 1940.   View   #H34642  

 

   
     HASKELL early unsigned orange glass bead coil bracelet (7/8" wide 3" front drop) and 2-1/2" dress clip with silver tone and clear rhinestones ribbon motif.  See Gordon & Pamfiloff's "Miriam Haskell Jewelry" page 154.    View    View    View   #H20469
Haskell bracelets and clips
 HASKELL Hess early unsigned dress clip, coral colored glass beads with transparent seed bead ends and a pot metal ribbon design top set with clear rhinestones, circa 1940, 3" by 2-1/4".   View   Bracelet    View    View    View    #H31231  and  #H19183      HASKELL early unsigned orange glass bead coil bracelet (7/8" wide 3-1/2" wide front) and 2-1/2" dress clip with silver pot metal and clear rhinestones leaf motif.   View  View   View   #H24003

 

 

HASKELL Hess aqua and pearl lariat with gold tone leaves, 27" total length and each clip is 2-1/4" wide. Circa 1940, this is an unsigned Frank Hess design.   View   View   #H34228 

 

HASKELL aqua glass beads and artificial pearls parure with gold tone leaves and LARRY AUSTIN ORIGINAL art work that illustrates it .
 HASKELL Hess aqua and pearl LARIAT necklace with gold tone leaves, 27" total length and each clip is 2-1/4" wide; a coil BRACELET of aqua glass bead and artificial pearls on fabric covered metal, 1/2" thick each, side motif 2-1/2"; a set of two dress CLIPS in aqua glass bead and artificial pearls with gold tone leaves wired over metal balls that support the bead work; and a BROOCH bar pin of aqua glass beads and pearls mounted on gilt metal flowers, 4" by 1-5/8". 
In the early days of Haskell jewelry, when Frank Hess was the head designer, Haskell put no identifying marks on their jewelry. As a mater of fact, it was not marked at all until about 1947. Today the early unsigned pieces are recognized from the vintage art work and advertisements and by their wonderful detailing, hand work and design. This group is circa 1940. See parts of this group in "Miriam Haskell Jewelry" by Gordon & Pamfiloff, pages 97 and 160.    View   View   View   View  View    #H34228

HASKELL aqua glass bead and artificial pearls on fabric covered metal coil bracelet, 1/2" thick each, side motif 2-1/2". Fabric covered memory wire bracelets were made in the 30s and early 40s.     View   #H26809  

 

 

 

HASKELL bar pin of aqua glass beads and pearls mounted on gilt metal flowers, 1930s unsigned, 4" by 1-5/8". See Gordon & Pamfiloff's "Miriam Haskell Jewelry" page 97 for the Larry Austin art work showing this brooch.  View   #H34420

HASKELL bar brooch and set of clips.

HASKELL aqua glass bead and artificial pearl dress clips with gold tone leaves, set of 2 circa 1935. The aqua glass beads and artificial pearls are wired over metal balls that support the bead work.  View  #Y23940

 

HASKELL Hess early unsigned aqua glass beads and artificial pearls three-strand lariat necklace with dress clip ends.   View   View   #H32152 HASKELL Hess early unsigned aqua glass beads and artificial pearls three-strand lariat necklace with dress clip ends and coil bracelet with pearlized leaves and gild tone flowers, total length 12" and about 1-1/2" wide.   #H32152 and #H32153 HASKELL Hess early unsigned aqua glass beads and seed beads coil bracelet with pearlized leaves and gild tone flowers, total length 12" and about 1-1/2" wide. This bracelet is shown in the Larry Austin ad art work shown HERE.    View   #H32153

 

HASKELL Hess unsigned aqua glass beads bracelet, re-strung, 7" wearable length and 8" total length, 1-1/2" wide.  In the early days of Haskell jewelry, when Frank Hess was the head designer, Haskell put no identifying marks on their jewelry. As a mater of fact, it was not marked at all until about 1947. Today the early unsigned pieces are recognized from old advertisements and by their wonderful detailing, hand work and design. To read more about Haskell, see these features: Haskell Hess Unsigned Jewelry, Miriam Haskell Jewelry, our article in Jewel Chat and the feature on Haskell Art Work & Ads.     View   View   #H33241 HASKELL aqua glass beads, gold tone leaves and clear rhinestones lariat necklace, coil bracelet , brooch and screw-back earrings circa 1940. This has been restored to it's original condition so that it can be worn safely. The lariat has with dress clip ends, 27" total length with 2" by 2-1/2" clips, adjustable coil bracelet, brooch 3" by 2-3/4" and 2/3" earrings.   View   View   View   View   View   View   View   View   #H33552 HASKELL attributed early unsigned 4" dress clip in gold tone petals and beads with aqua glass beads in three different shapes.  View   #H24809 

 

 
HASKELL aqua glass bead and long gold tone leaves coil bracelet with long gold tone leaves, circa 1940, 7" and adjustable.   View   #H34274 HASKELL Hess parure three piece set of lariat necklace, coil bracelet, long leaves clip, all designed by Frank Hess for Miriam Haskell and unsigned as was the case circa1940s. Hess pieces are not always easy to find and a parure is a real treat so I was delighted to assemble this one.  The lariat necklace is 27"; coil bracelet 7" and adjustable; and dress clip 2-7/8".    View   View   View   View    View    #H34273    HASKELL aqua glass beads and long gold tone leaves dress clip, circa 1940, 2-7/8".   View   #H34275

 

  HASKELL Hess early unsigned aqua glass bead necklace, each bead ornamented with gold tone seed beads circa 1940, 15-1/2". According to Larry Vrba, head designer for Haskell from 1970-78, these irregularly shaped glass beads were imported from China and used by the thousands. They were still there during his time at Haskell.  View   #H28673

 HASKELL Larry Austin original gouache art work for a circa 1940s advertisement for one of the most popular of the Haskell jewelry lines of the time, marked "1195" on the back, done on illustration board. The detail is lovely and shows not only the jewelry but her furs and the lacy veil on her hat, an iconic look of the time.  THIS is the line of jewelry shown in the illustration, and HERE is a clip in the same line.  View   #H34389

HASKELL early unsigned clip of aqua glass beads and lovely gold tone findings, 4". According to Larry Vrba, head designer for Haskell form 1970-78, these irregularly shaped glass beads were imported from China and used by the thousands. They were still there during his time at Haskell.  View    #H19736  

 

 

 

HASKELL Larry Austin original art work of an aqua glass beads cluster necklace, numbered on the back "#1203A", 8" by 10".   View   View   View   #H34992

 

 

HASKELL original Larry Austin design art work and Frank Hess jewelry 3 piece parure in lovely aqua glass beads with gold tone leaves. Larry Austin original art work of an aqua glass beads cluster necklace, numbered on the back "#1203A", 8" by 10". NECKLACE aqua glass beads cluster necklace, 16" with 3-1/4" front drop. CLIP early unsigned of aqua glass beads and lovely gold tone findings, 4". BAR BROOCH with aqua beads and gold tone leaves, 3-1/4".
In the early days of Haskell jewelry, when Frank Hess was the head designer, Haskell put no identifying marks on their jewelry. As a mater of fact, it was not marked at all until about 1947. Today the early unsigned pieces are recognized from the vintage art work and advertisements and by their wonderful detailing, hand work and design. This group is circa 1940. See parts of this group in "Miriam Haskell Jewelry" by Gordon & Pamfiloff, pages 97 and 160. According to Larry Vrba, head designer for Haskell from 1970-78, these irregularly shaped glass beads were imported from China and used by the thousands, great favorites of their time. They were still there during his era at Haskell.   View   View   View      View   View

HASKELL Hess aqua glass beads cluster necklace with lovely glass beads, 16" with 3-1/4" front drop.   View   #H34993

 

 

 

 

HASKELL aqua glass beads and clear rhinestones dress clips, set of 2, 2" each.   View   #H34808 HASKELL Hess aqua glass bead bar brooch with gold tone leaves, 3-1/4". Designed by Frank Hess for Miriam Haskell it is unsigned as was typical circa 1940.    View   #H34740 HASKELL Hess aqua glass beads and fan-shaped gold tone leaves clip, 4". This clip demonstrates the detailed work typical of Hess' style. Each large bead is tipped with a glass seed bead and around the top of each larger bead is a finishing collar of gilt metal beads. These beads were made in China and were used extensively by Frank Hess as they were great favorites of the Miriam Haskell customers.   View    #H34262

 

HASKELL Hess early unsigned aqua glass bead necklace and dress clip circa 1940. HASKELL Hess early unsigned aqua glass bead lariats, coil bracelets and dress clips, circa 1940. HASKELL Hess early unsigned blue and aqua glass petals bar pin with white glass bead centers on a gold tone pin back, one back petal broken which does not show from the front, circa 1940, 4-1/4" by 1-1/3".  View   #H28055

 

HASKELL Hess aqua lariat necklace with pressed gold tone leaves, aqua glass beads, total length 27", four strands, clips 3" by 2-1/3".   View   View   #H34083  

HASKELL Larry Austin original watercolor advertising illustration for Haskell aqua glass bead and rhinestone pave leaf cluster wrap necklace #H23378, foil "Miriam Haskell" sticker, 8" by 10", written in  pencil on the back  #554.   #H23631 

 HASKELL early unsigned aqua glass beads four-strand wrap necklace with rhinestone pave leaves, 21" long with 2" clips on each end. Circa 1940. In the early days of Haskell jewelry, when Frank Hess was the head designer, Haskell put no identifying marks on their jewelry. As a mater of fact, it was not marked at all until about 1947. Today the early unsigned pieces are recognized from old advertisements and by their wonderful detailing, hand work and design. This necklace is similar to one seen in the Larry Austin ad art work shown HERE.    View   View   #H23378

 

  HASKELL Hess aqua glass beads, artificial pearls and gold tone leaves brooch, large at 3-5/8" by 3-1/4".   View   #H34130  HASKELL Hess early unsigned aqua glass beads two-strand necklace and matching coil bracelet with artificial pearls and gold tone leaves and petals, circa 1940, necklace 16" with 3" front drop and bracelet adjustable and about 3" across the front. A vintage Haskell Larry Austin ad shows a similar set. Hess used the same unsigned box clasp on many different necklaces as can be seen in Gordon & Pamfiloff's "Miriam Haskell Jewelry", pages 28, 59, 120 & 121 and others, and the gold tone leaves are in a set on page 122.   View   View   View   View   View   #H23383  HASKELL Hess aqua glass beaded balls dress clip with clear rhinestone and gold tone flowers and bud tops and gold tone leaves, circa 1940, 4-1/3".   View   #H34195

 

HASKELL aqua glass bead and artificial pearls lariat necklace with clear rose montee, gold tone flowers and filigree, 28" total length, clips are each 1-5/8" by 1-1/2". There is very slight verdigris under some the the flower center pearls. A Frank Hess for Miriam Haskell, it is unsigned as was typical for this era, circa 1940.     View   View   View   #H34344   HASKELL Hess crystal bead bar brooch with aqua bead accents, circa 1930s unsigned, 4".   View   #H34376  HASKELL Larry Austin original watercolor advertising illustration for Haskell blue bead bracelet and necklace with foil "Miriam Haskell" sticker, 8" by 10", signed in  pencil on the back "Austin" and numbered "1259".   #H23353   

 

  
    HASKELL Hess early unsigned aqua faceted crystal beads 2-1/4" round dress clip with 2" beads drop and 7" "button" fastening bracelet.    View    View    View   View    #H19738     HASKELL early Hess unsigned aqua with multi-colored fleck glass bead 16" necklace and pair of 2-1/3" clips. See Warman's Jewelry, 3rd Edition, page 197; "Miriam Haskell Jewelry" by Gordon & Pamfiloff, page 162.    View  View   View   #H27349   HASKELL Hess aqua glass bead clip with graduated beads and clear rhinestones, 2-3/4". A Frank Hess design for Miriam Haskell, it is unsigned as was typical of this era circa 1930s. Clips in this design can be seen in Gordon & Pamfiloff "Miriam Haskell Jewelry" on page 140.   View   #H34515 

 

 HASKELL Hess bouquet fur clip of aqua glass beads, artificial pearls, gold tone and green enameled leaves and gold tone mesh bow a lovely combination, 3-1/4". A Frank Hess design for Miriam Haskell, it is unsigned as was typical of this era circa 1930s. This was seen in "Miriam Haskell Jewelry" by Gordon & Pamfiloff page 13.   View   #H34519

HASKELL Hess flower and leaf earrings of clear rhinestones and green enameled leaves set in gold tone petals, horseshoe mark on the back, 1".   View   #H34413

  HASKELL early unsigned dress clip with gold tone filigree backing, aqua glass beads and green enameled leaves. The green enameled leaves were used on several different designs (see Gordon & Pamfiloff "Miriam Haskell Jewelry" page 12 for one example).    View    View     #H19521

 

HASKELL aqua glass bead and clear rhinestone dress clips with gold tone ruffled cups, circa 1940, set of 2, 3" long each.   View   #H34351 HASKELL Larry Austin original gouache for a circa 1940s advertisement with foil "Miriam Haskell" sticker. "Austin" and the number "1269" written in pencil on the back. According to Larry Vrba, head designer for Haskell from 1970-78, these irregularly shaped glass beads were imported from China and used by the thousands. They were still there during his time at Haskell. Like many of these pieces, the detail is lovely and shows not only the jewelry but her furs, typical era hairdo and cocktail dress. THIS is the line of jewelry shown in the illustration, and HERE is a clip in the same line.    #H29965 HASKELL Hess aqua glass beads and artificial pearls dress clip with gold tone leaves, circa 1940, 3".   View   #H34352

 

    HASKELL early Hess unsigned aqua glass beads wreath-shaped dress clip with gold tone leaves, circa 1940, 2".  View   #H28116 

   HASKELL AD illustrating red grapes motif clip and bracelet, paper 5" by 7-1/3", hand signed and matted in aqua.  #H27334  

    HASKELL aqua glass beads with silver caps and seed beads dress clip, circa 1945, 2".  View   #H23962   

 

     HASKELL early unsigned aqua glass beads and seed beads 2-7/8" dress clip. One bead is chipped on the back where it does not show.   View  #H22149    

   HASKELL early unsigned aqua glass beads and gold tone leaves dress clip, 2-1/2". A Larry Austin ad art work showing a similar line can be seen in "Miriam Haskell Jewelry" by Gordon & Pamfiloff, page 104.  View    Both clips  #H26096  

 HASKELL Hess early unsigned aqua glass beads and florets and gold tone caplets dress clip, circa 1935, 4".   View   #H18627  

 

HASKELL early unsigned aqua glass beads and rhinestone leaves coil bracelet, 1-3/4" front. Larry Vrba says he believes that this is line not Haskell. (Seen in Christie Romero's "Warman's Jewelry, 3rd Ed, page 190.)   View   Bracelet   View    View    View   #H22610   HASKELL early unsigned aqua glass bead and pot metal pave leaves pin, 2-2/3".   View   #H27758 HASKELL early unsigned aqua glass bead dress clip with rhinestone leaves, 2-3/4". See Gordon & Pamfiloff's "Miriam Haskell Jewelry" page 153.  View #H22888

 

HASKELL original gouache art work, probably by Larry Austin. Advertising a Miriam Haskell stick coral coil bracelet and clip, numbered #1067 on the back, 8" by 10".   #H31940

HASKELL Hess early unsigned maroon glass beads, gold tone flowers and disk spacers dress clip, circa 1940, 2-7/8" long.   View   View   #H19943

   HASKELL original gouache art work, probably by Larry Austin. Advertising Miriam Haskell jewelry, a bracelet and dress clip with heart-shaped glass beads and pressed glass leaves, numbered "#82" in pen on the back, 8" by 10".       #H31845

 

HASKELL early unsigned gold tone petals flower with red glass bead clips, set of 2, circa 1940, 1-3/4".   View   #H32361  HASKELL early unsigned dress clip in amber-colored glass beads and artificial pearls.     Back    #H19737     HASKELL Hess gilt and green enamel leaves clip, 1-3/4" each, set of 2, circa 1940.   View   #H32360

 

 

HASKELL signed Hess pearlized "waffle" center elements (imported from Japan for Haskell) with artificial seed pearls and rose montees all set in gold tone leaf and stems earrings,   . See a set with similar elements on pages 119 and 137 of Cera's "Jewels of Miriam Haskell".   View   #H28618

 HASKELL unsigned very ornate and unusual necklace of pearlized flowers, seed pearls and rose montees mounted on gold tone filigree backing.  View   View   View   View   #H28614

   HASKELL early unsigned faux pearl clip with pave leaves, 2-7/8".   View  #H22407

 

HASKELL clips to show size comparison. HASKELL coil bracelets to show size comparison. 
(Seen in Christie Romero's "Warman's Jewelry, 3rd Ed, page 190.)
HASKELL clips to show size comparison. 
(Seen in Christie Romero's "Warman's Jewelry, 3rd Ed, page 195.)   

 

 Bracelet of red opaque glass beads with clear rhinestone petals.  (Seen in Christie Romero's "Warman's Jewelry, 3rd Ed, page 190.)   View    View    View    View    View    #H19184

  HASKELL unsigned early 1940's Hess silver patinated  8" coil bracelet with matching contemporary 1-1/3" earrings made by Haskell Jewelry, both with metallic and glass beads. The coil bracelet looks best on a 7" wrist. The bracelet was purchased directly from the archives of  Haskell Jewelry Company.   View   View    View      #H19582

   Bracelet of black opaque glass beads and clear rhinestones.    View    View    View    View    #H19185 

 

 

HASKELL Hess unsigned gold tone leaves bar pin with clusters of little white glass beads, circa 1940, 3".    View   #H31998

   HASKELL Larry Austin original watercolor advertising illustration for Haskell white beads bracelet and clip, "right" penciled on back, 8" x 10".   #H27269

 

 

HASKELL JEWELRY

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PLEASE NOTE: Regretfully, it is no longer possible to respond to individual questions regarding jewelry history, identification or value, or to offer written or verbal appraisals or opinions. The demand for this kind of information is absolutely too overwhelming for one dealer to fill. 
I love jewelry, but appraising and selling are two entirely different businesses, and I choose selling as my business.

Instead, articles are added on a regular basis to JEWEL CHAT on line Magazine, a wonderful reference for  information on many makers and styles of vintage jewelry. 
For information on valuing your jewelry, click HERE.